Located within the upper basin of the San Pedro River basin, Ramsey Canyon is a paradise for birding, nature watching, and plein air sketching and painting. It’s nice to compare the seasons as they unfold.
Last November as the leaves were in full color, we took advantage of a great opportunity to take the easel and paints out to the Ramsey Canyon nature preserve. The sketch was really about the brilliance of the color, and the forest environment.
A couple of months later, we returned to the preserve, and set up easels next to the beautifully running creek.
The light is gorgeous, the water running at a steady clip. Being mid-day, the sun was going to steadily move down, but we figured we had 2 1/2 good hours to paint..
The goal was to catch the light on the running water, the movement and transparency of the water flowing over the rocks.
Continuing studies in working with color in the studio at Betina Fink Arts. Beginning November 7: Color Fundamentals/Pencil, Level 1. For more information please click: Classes. Below: one of our projects, drawing a live, curling bamboo plant.
One of the most beautiful, tender and fragile locations of southern Arizona, Cochise Stronghold marks where the final Apache Chief Cochise defended his land.
Visiting means paying homage to as well as honoring the sad history and memory of the Apache tribe. Recently with monsoon rains, it was necessary to pay a visit to the magical waters in the creek nestled within the canyon. The creek was running steadily.
The breeze was cool coming off the waters. Being a weekday, there were no other visitors to the campsite, making the quiet of the forest powerful. We stuck our feet in the cold water and made a little sketch.
At the Plein Air Conference and Expo last month in Monterey, we had the fun of participating in a paint-out on the beautiful beach at Carmel-On-The-Sea. The weather was perfect, amid a group of blustery days; the sun shone and there wasn’t too much wind.
We walked down the beach a little way, towards a view of Pebble Beach off in the distance, and set up our gear.
I was working on creating a quick tonal underpainting, while the fog was rolling around in the distance. I had recently purchase a set of primary colors from Michael Harding paints (at the PACE) and was excited to play around with the oils a little, and see how far I could mix with just the primaries.
turns out I could mix some lovely tints and tones of green, which went along well with the view.
The shadows were growing long, and it was time to pack it in, go somewhere to get warm, and take a little walk in the quaint town of Carmel.