Park lands in the western states are being threatened on a daily basis. The natural beauty and stark intensity of desert lands just aren’t important to some people in power. The land is seen as valuable only in terms of what it can give up for money: mining, uranium, rooftops.
Close to my home are the Tucson Mountains, and the Sweetwater Trail, which still has National Park status, but lots of new rooftops dotting the pristine hills. I had a free day and went to walk the washes and animal trails just off the main human trail. Found a spot to set up and do an oil sketch.
It was so peaceful, yes warm because it has been the warmest recorded temps for this time of year, regardless of what some might say. But no snakes! Just coyotes howling a little in the distance and some birds rustling about.
During the Grand Reveal of their newest contemporary furniture collection, I will demonstrate desert landscape painting on October 1, 1-4pm.
Along with “Desert Italia” at Contents Interior, see my “Desert Dream” series of oil paintings. Selected large and small landscape oils – studio and plein air paintings from my studio will also be on view and for sale.
Wine Tasting * Food Tasting * Artist Demonstration (yours truly!) * Design Presentation * Italian Music * Door Prizes and more!
This Friday, the September Full Moon brings again Open Studios at the Metal Arts Village. I’ve been working on some small studies in oil of monsoon water flows from the creeks around southern Arizona. Looking forward to some cooler weather now!
Full Moon Open Studio is this Tuesday, at my studio in the Metal Arts Village, Tucson. I will be featuring this painting, a recent oil based on studies made of a special place in the wash at Rancho Linda Vista in Oracle, AZ.
In studio paintings, I like to let the mark making and color fly. Abstraction meets representation, and the painting becomes something more than the original study, which is more often than not painted on site.
Above is the small plein air study made of this prehistoric waterfall, mainly of the little top section, a very intriguing boulder conglomeration. This piece is 12 x 9″. The studio painting is 24 x 36″.