Tag: Landscape

Open Studio under the Full Moon

Full Moon Open Studio is this Tuesday, at my studio in the Metal Arts Village, Tucson. I will be featuring this painting, a recent oil based on studies made of a special place in the wash at Rancho Linda Vista in Oracle, AZ.

Little Waterfall.jpg

In studio paintings, I like to let the mark making and color fly. Abstraction meets representation, and the painting becomes something more than the original study, which is more often than not painted on site.

RLV

Above is the small plein air study made of this prehistoric waterfall, mainly of the little top section, a very intriguing boulder conglomeration. This piece is 12 x 9″. The studio painting is 24 x 36″.

Plein air outing at Ruby, AZ

Ruby, Arizona, one of the largest and oldest ghost towns in Arizona, and a destination for a recent painting trip on a sunny February day.

imgres

The atmosphere of the town lent itself to an inspired afternoon of wandering and exploring, and finally settling down to paint a view of the Mill, with Montana Peak behind.

Ruby
The mill, shed and Montana Peak.

Stages of the plein air study, beginning with a yellow ochre underpainting, building up layers of colors until finally a 2 or 3 hour painting was as complete as it was going to be.

ptg1ptg2ptg3

ptg4
“Ruby”; oil/canvas, 10 x 8″

Then once more checking in on the Schoolhouse before we go back to Tucson.

school1school2school3

Protecting our Cultural and Natural Heritage

A group of artists and activists in southern Arizona are concerned about protecting the Santa Rita Mountains from the proposed Rosemont Mine. Below is a weathered outdoor map of the Empire and Cienega Resource Conservation Area, provided by the Forest Service (are the pock marks bullet holes? You see a lot of bullet holes on signs in Arizona).

Image

A Canadian company, Augusta Resource, is going through the process of acquiring mining rights to this area, and plans to mine for copper for the next 20 years. While mining is an Arizona industry, grand-fathered mining rights from the early 1900’s don’t necessarily reflect current needs to protect bio-diversity and cultural heritage. http://green.blogs.nytimes.com/2013/02/04/arizona-mining-project-wins-a-key-permit/

It is also questionable whether Augusta Resource plans to “flip” the property to another institution once the permissions have been made.http://www.ajelp.com/articles/not-your-fathers-mine-the-rosemont-copper-mine-and-dry-stack-tailings/

A view in the late afternoon on a crest just below the old Rosemont Ranch:

Image

I am documenting the area through oil painting studies done plein air:

Image

The study completed, in the 1 hour left before the sun sinks below the hills to the West:

Image

At risk in the area are: Recreation and Tourism (hiking, bird watching, horseback riding, ATV riding, taking a scenic drive); Biodiversity/Charismatic Species: Jaguar, Ocelot, Yellow-Billed Cuckoo, Southwestern Willow Flycatcher, Gila Chub, Gila Topminnow, Desert Tortoise, Chiricahua Leopard Frog, Lesser Long-Nosed Bat. Plants: Huachuca Water Umbel, Pima Pineapple Cactus, Coleman’s Coral-Root, Beardless Chinch Weed, Wildlfe connectivity and corridors; Water/Watersheds: Diminished riparian areas of Davidson Canyon and Cienega Creek watersheds will affect ranching, vineyards, wildlife and vegetation; Cultural Resources: More than 4 Native American tribal farming and historic burial grounds; Business: Vineyards in the Davidson Canyon area; Pecan Industry in Green Valley; Ranching (Cattle).

Please visit: http://www.scenicsantaritas.org, www.LensOnTheLand.com; and www.skyislandalliance.org.

Hudson River Valley, New York

One week before hurricane Sandy hit, we had an absolutely bucolic experience in the town and environs of Hudson.

Being a transplanted easterner living in the southwestern United States, as well as a landscape painter, I longed for the soft green and dramatic splendor of Hudson valley October:  the fall colors. I set out to visit “Olana” the home estate of 18th century landscape painter Frederick Edwin Church. This was not just some estate.

The whole mountain is landscaped to allude to a pastoral and picturesque landscape, a view that Church used as inspiration in his work and continues to be cultivated according to his designs today. A picturesque view from the top:

Image

The spring fed lake in the distance, the majestic Hudson river in the distance, it is all a fine drama not to be believed. The glory and the power of nature. No surprise that Mr. Freddy was inspired to paint thrilling and meticulous monumental landscapes in oil, such as “Twilight in the Wilderness”, 1860.

Image

Sitting on a rustic bench facing the lake and river, I humbly sketch a little notation of the seemingly still pristine view, and thank the keepers of this beautiful place in our world.

Image

My heart goes to all of the displaced and adjusting victims of Sandy, and hope for adjustment and peace.

Terrifying Beauty

A new series of paintings includes one of an experience of an enormous wildfire here in southern Arizona in 2003: the Aspen Fire. My friend Chuck took this photo during the fire, looking towards the Santa Catalina’s, with Rancho Linda Vista in the foreground. Normally I never paint from photographs, but this one was incredible in it’s terrifying beauty, and took me 10 years to consider.

The Aspen Fire, 2003, Oracle, Arizona.

The reality of the experience was in the not knowing when the fire would end, what would be destroyed, when the monsoons would start. Black slurry planes flew over our houses en route to the core of the fire.

Recently when I sketched the experience in preparation for a large scale painting, I borrowed heavily from the composition of Chuck’s photo, but drew from the experience.

Colored pencil sketch.

Many months have gone by since beginning the final painting. Layers and layers of glazes and impasto, and finally I think it might be done.

“Seasons Series: Summer at Dusk”, oil on canvas, 4 x 5 feet, 2012.

The smoke becomes an abstraction as it pushes towards the Ranch. The sky looks clear against the black, grey and green of the smoke. The Ranch sits and waits.