Tag: Southwest Landscape

Painting Demo October 1; 1-4pm

During the Grand Reveal of their newest contemporary furniture collection, I will demonstrate desert landscape painting on October 1, 1-4pm.

Along with “Desert Italia” at Contents Interior, see my “Desert Dream” series of oil paintings. Selected large and small landscape oils – studio and plein air paintings from my studio will also be on view and for sale.

Wine Tasting * Food Tasting * Artist Demonstration (yours truly!) * Design Presentation * Italian Music * Door Prizes and more!

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Open Studio under the Full Moon

Full Moon Open Studio is this Tuesday, at my studio in the Metal Arts Village, Tucson. I will be featuring this painting, a recent oil based on studies made of a special place in the wash at Rancho Linda Vista in Oracle, AZ.

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In studio paintings, I like to let the mark making and color fly. Abstraction meets representation, and the painting becomes something more than the original study, which is more often than not painted on site.

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Above is the small plein air study made of this prehistoric waterfall, mainly of the little top section, a very intriguing boulder conglomeration. This piece is 12 x 9″. The studio painting is 24 x 36″.

Protecting our Cultural and Natural Heritage

A group of artists and activists in southern Arizona are concerned about protecting the Santa Rita Mountains from the proposed Rosemont Mine. Below is a weathered outdoor map of the Empire and Cienega Resource Conservation Area, provided by the Forest Service (are the pock marks bullet holes? You see a lot of bullet holes on signs in Arizona).

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A Canadian company, Augusta Resource, is going through the process of acquiring mining rights to this area, and plans to mine for copper for the next 20 years. While mining is an Arizona industry, grand-fathered mining rights from the early 1900’s don’t necessarily reflect current needs to protect bio-diversity and cultural heritage. http://green.blogs.nytimes.com/2013/02/04/arizona-mining-project-wins-a-key-permit/

It is also questionable whether Augusta Resource plans to “flip” the property to another institution once the permissions have been made.http://www.ajelp.com/articles/not-your-fathers-mine-the-rosemont-copper-mine-and-dry-stack-tailings/

A view in the late afternoon on a crest just below the old Rosemont Ranch:

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I am documenting the area through oil painting studies done plein air:

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The study completed, in the 1 hour left before the sun sinks below the hills to the West:

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At risk in the area are: Recreation and Tourism (hiking, bird watching, horseback riding, ATV riding, taking a scenic drive); Biodiversity/Charismatic Species: Jaguar, Ocelot, Yellow-Billed Cuckoo, Southwestern Willow Flycatcher, Gila Chub, Gila Topminnow, Desert Tortoise, Chiricahua Leopard Frog, Lesser Long-Nosed Bat. Plants: Huachuca Water Umbel, Pima Pineapple Cactus, Coleman’s Coral-Root, Beardless Chinch Weed, Wildlfe connectivity and corridors; Water/Watersheds: Diminished riparian areas of Davidson Canyon and Cienega Creek watersheds will affect ranching, vineyards, wildlife and vegetation; Cultural Resources: More than 4 Native American tribal farming and historic burial grounds; Business: Vineyards in the Davidson Canyon area; Pecan Industry in Green Valley; Ranching (Cattle).

Please visit: http://www.scenicsantaritas.org, www.LensOnTheLand.com; and www.skyislandalliance.org.

Terrifying Beauty

A new series of paintings includes one of an experience of an enormous wildfire here in southern Arizona in 2003: the Aspen Fire. My friend Chuck took this photo during the fire, looking towards the Santa Catalina’s, with Rancho Linda Vista in the foreground. Normally I never paint from photographs, but this one was incredible in it’s terrifying beauty, and took me 10 years to consider.

The Aspen Fire, 2003, Oracle, Arizona.

The reality of the experience was in the not knowing when the fire would end, what would be destroyed, when the monsoons would start. Black slurry planes flew over our houses en route to the core of the fire.

Recently when I sketched the experience in preparation for a large scale painting, I borrowed heavily from the composition of Chuck’s photo, but drew from the experience.

Colored pencil sketch.

Many months have gone by since beginning the final painting. Layers and layers of glazes and impasto, and finally I think it might be done.

“Seasons Series: Summer at Dusk”, oil on canvas, 4 x 5 feet, 2012.

The smoke becomes an abstraction as it pushes towards the Ranch. The sky looks clear against the black, grey and green of the smoke. The Ranch sits and waits.